Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Tuesday, July 25, 2023

Augmented Visions: Exploring the Intersection of Technology and Humanity in Contemporary Photography by [dNASAb]

“Faux Ecologies + Artificial Reefs of the Metaverse_Obscene Plasticene Daydream_ #7a ” 2023 Photograph.Glossy pigment print mounted on aluminum with UV plexiglass 31"H (x) 42" W

  My artistic journey in contemporary photography is fueled by a profound fascination with the evolving ways in which we perceive and experience the world. In our rapidly advancing technological era, where the boundaries between the tangible and the virtual continue to blur, I am captivated by the immense potential to augment our understanding and interaction with reality. Through my art, I aim to capture and comment on the pivotal nature of human existence and our profound interconnection with technology.

  Central to my creative process is the concept of augmentation. I have always sought to transcend traditional photography by integrating various elements and techniques to augment the visual narratives I wish to convey. Instead of relying solely on capturing the visible world, I construct temporary models and room-sized sets that serve as the stage for my photographic compositions. These meticulously crafted environments combine illuminated sculptures, upcycled materials from my waste stream, complex lighting arrangements, natural elements, and often carefully arranged flora, reminiscent of Ikebana, transforming the scenes into multidimensional works of art.

“Faux Ecologies + Artificial Reefs of the Metaverse_Obscene Plasticene Daydream_ #14 ” 2023 Photograph.Glossy pigment print mounted on aluminum with UV plexiglass 42"H (x) 32.2" W

  In my work, I explore the concept of "augmentation" by infusing the physical space with elements that enhance the narrative and challenge traditional perspectives. I utilize "Neural Radial Field" scans to create 3D digital models of the temporary installations, and then employ "Augmented Reality" to juxtapose these virtual models with the physical sets. This fusion of the real and the virtual adds layers of complexity and opens up new possibilities for storytelling. By blurring the boundaries between the tangible and the virtual, I aim to prompt viewers to question their own perceptions and engage in a deeper exploration of the interplay between technology and humanity.

To further enhance the impact of my imagery, I employ a diverse range of lighting techniques, incorporating motion, atmospheric effects, reflections, mist, fog, running water, and even explosives. These experimental approaches allow me to create images that serve as visual references to the pivotal moments in the history of technological and human progress. I seek to document and visualize significant shifts in culture and advancements, highlighting the explosive changes that augment our future lives.

“Faux Ecologies + Artificial Reefs of the Metaverse_Obscene Plasticene Daydream_ #5 ” 2022 Photograph.Glossy pigment print mounted on aluminum UV plexiglass 42"H (x) 29.94" W

  In an era where artificial intelligence (AI) has captivated the artistic sphere, my latest body of work challenges the perception of "generated" imagery. While the digital realm is often associated with AI-created art, I intentionally blur the boundaries by presenting photographs that appear to be AI-generated but are, in fact, physical models and illuminated sculptures crafted from reclaimed materials. Through the use of complex lighting systems, I encapsulate time and space within these physical constructs, creating a sense of mystery and wonder that invites viewers to question the boundaries of reality.

  The process begins by constructing temporary sculptures using translucent and colored plastics, reflective metals, mirrors, and glass. These materials are embedded with LEDs and fiber optics, adding an ethereal quality to the scenes. In complete darkness, I photograph the compositions using long exposures. As the shutter remains open, I become a performer, physically hand-lighting the sculptural set and manipulating the LEDs, atmospheric effects, and video projections to shape the final image. Each photograph represents a singular moment captured through the lens, an intimate encounter between the physical and the ephemeral.

“Faux Ecologies + Artificial Reefs of the Metaverse_Obscene Plasticene Daydream_ #9 ” 2022 Photograph.Glossy pigment print mounted on aluminum with UV plexiglass 28" H (x) 42" W

 Through my visionary photographs, I aspire to create new mysteries that invite contemplation and introspection. Drawing inspiration from the realms of fiction, abstraction, technology, psychedelia, and temporary sculptural spaces, I aim to provoke dialogue about the complex relationship between humanity and the augmented world we inhabit. In this ongoing exploration, my work serves as a visual portal, inviting viewers to reimagine the possibilities that lie at the intersection of technology and the human experience.

“Faux Ecologies + Artificial Reefs of the Metaverse_Obscene Plasticene Daydream#1 + #9 ” 2022 Photograph.Glossy pigment print mounted on aluminum with UV plexiglass 

"...Its this interplay between the fragility and resilience of both plastics and life,that excites me about our tenuous relationship with the "plasticene" and the natural world...."

[dNASAb]  ©__"The real enemy is the disneyfication of everything." _

Wednesday, November 16, 2022

[dNASAb] Photography_"Faux Ecologies + Artificial Reefs of the Metaverse_Obscene Plasticene Daydream_ #7 " 2022


 "Faux Ecologies + Artificial Reefs of the Metaverse_Obscene Plasticene Daydream_ #7 " 2022
Photograph.Glossy pigment print mounted on aluminum with UV plexiglass edition of 7 + 2 AP
42" H (x) 27.94" W

“Like a shadow that does not permit us to jump over it, but moves with us to maintain its proper distance, pollution is nature’s answer to culture. When we have learned to recycle pollution into potent information, we will have passed over completely into the new cultural ecology.” – William Irwin Thompson

"...Its this interplay between the fragility and resilience of both plastics and life,that excites me about our tenuous relationship with the "plasticene" and the natural world...."

[dNASAb]  ©__"The real enemy is the disneyfication of everything." 

https://dnasab.blogspot.com/?m=0

Wednesday, November 02, 2022

[dNASAb]_Photography _"Faux Ecologies + Artificial Reefs of the Metaverse _Obscene Plasticene Daydream_#4" 2022

 

"Faux Ecologies + Artificial Reefs of the Metaverse_Obscene Plasticene Daydream_ #4 " 2022
Photograph.Glossy pigment print mounted on aluminum with UV plexiglass
edition of 7 + 2 AP
48" H (x) 33.6" W

“Like a shadow that does not permit us to jump over it, but moves with us to maintain its proper distance, pollution is nature’s answer to culture. When we have learned to recycle pollution into potent information, we will have passed over completely into the new cultural ecology.” – William Irwin Thompson

"...Its this interplay between the fragility and resilience of both plastics and life,that excites me about our tenuous relationship with the "plasticene" and the natural world...."

[dNASAb]  ©__"The real enemy is the disneyfication of everything." 

https://dnasab.blogspot.com/?m=0

Wednesday, November 18, 2020

[dNASAb] Released 2 NEW prints to benefit ARTSail residency program and Showfields Miami 2020

 


"Obscene Plasticene Daydream_ Anthropocene X-Pollination Station #3" 2018
Photograph.Glossy pigment print mounted on dibond with UV plexiglass
edition of 7 + 2 AP
24" H (x) 16" W


"FUCK_Climate change is real.(Seagrape)" 2020
Photograph.Glossy pigment print mounted on aluminum with UV plexiglass
edition of 7 + 2 AP
24" H (x) 16" W

Released 2 NEW prints to benefit ARTSail residency program and Showfields Miami opening.     

“Like an Ocean gyre, a vortex of artifacts of a consumption based contemporary society such as;  plastic bottles and bags, fishing nets, and helium balloons become en-snarled with driftwood, dead coral, and seaweed creating a grotesques amalgamation of disparate materials which remarkably can still harbor life and be a sculptural framework for life to grow. I aim to develop work that embodies this contemporary conundrum.” [dNASAb]


Monday, January 27, 2020

Drone's eye view of the studio of [dNASAb].


Drone's eye view of the studio of [dNASAb].
Film + Text by Justin Namon @whofpv

"I had the opportunity to meet [dNASAb] +Desiree after they relocated his studio of 20 years in Brooklyn, NY to South Florida. Instigated by a need be closer to the "ecosystems" that inform [dNASAb]'s work, to "flip the script" on the dingy over-priced warehouse studio rentals, and turn a mid-century modern home into an immersive art house studio+showroom. He's a creative artist who uses mixed mediums to convey the juxtaposition of nature and industrialism echoing a discord in the social acceptance of plastic culture. You will find reclaimed plastic and styro-foam transformed into "living sculptures" and "video ecosystems" that are otherworldly and natural at the same time. Video projection mapping and multi-channel audio enliven the pieces, and highlight an environmental crisis we are dealing with in real-time.What a collection and unique way to explore ideas concerning the intersection of art, technnology and environmentalism. I decided not to apply any speed ups to emphasize the size of this space and the path chosen to show it. Cant wait to see his new space in Wynwood!"

@dnasab @desirestylenyc @houseofthewakingdream

Tuesday, March 03, 2015

Frederieke Taylor Gallery presents [dNASAb] at VOLTANY 2015 Art Fair, March 5- 8 2015, Pier 90, booth D19

"Transcending the gyre_ exquisite colonies of plasticized symbiosis #3"
[Sculptural Aquascaping_A Re-Contextualization of the living marine reef ecosystem]”
2015
Archival pigment print on Acrylic, edition of 7
60" x 34.4"

Frederieke Taylor Gallery presents [dNASAb] at VOLTANY Art Fair, 
Thursday March 5 through Sunday March 8 

PIER 90 [West 50th St at 12th Ave], Booth D19

Wednesday, October 14, 2009

"Emergent Ecological Technologies""2009 60 "w X 40"h photograph.lightjet print edition of 7 + 2 AP by [dNASAb] 09'

"Emergent Ecological Technologies #2""2009 60 "w X 40"h photograph.lightjet print edition of 7 + 2 AP

Inspired by the surf, the unpredictable elements of nature,and the energy of the ocean.As well, as the amount of "consumer plastics" needed by humans to enjoy the beach.I set out to create new images incorporating the waves, both light and ocean, wind, sand, explosives, and sculptures made of plastics, rubber and fiber optics.I created mini installations on the shoreline, with fiber optics driven by 9v volt batteries, that proved to be waterproof.It was extremely difficult to work in that changing environment in the middle of the night, half of the time I was knee deep in water with the waves crashing on my tripod.But some interesting and exciting new images were created, and spawned a ton of new thoughts about how to create works integrating nature.
[dNASAb]

Tuesday, June 02, 2009

Microsoft is opening up a temporary art space this week in the Meatpacking District in NYC as part of Internet Week. I will be exhibiting a selection of video sculptures. The main reception will be on Tuesday, June 2nd, 7-10 pm. The gallery will be open everyday.June 1st - June 7th, 2009. 414 W.14th Street, NYC. The works are ON day and night, please check it out. [dNASAb]

Saturday, January 24, 2009

[dNASAb] exhibits work in a show titled "CURRENTS IN CONTEMPORARY PHOTOGRAPHY" at Flanders Art Gallery opening reception Jan. 30th

"CURRENTS IN CONTEMPORARY PHOTOGRAPHY"
Opening Reception with pierogies & martinis Friday, Jan. 30th, 6 - 9pm

Over the past decades, photography has evolved into one of the predominant forms of contemporary art. Whether this growth is the result of a relatively youthful medium finally gaining the respect and legitimization of collectors or because the technological developments of the past century accelerated its potential, photography is not only a difficult field to summarize, but it offers almost limitless possibilities in both aesthetic and narrative exploration. more>>>>>>